Jannick deslauriers carmax

Known for her ethereal textile sculptures, she creates installations that combine steel structures and objects made of translucent materials to explore notions of control, confinement, transmission, commemoration and care. Her process is marked by the meticulous crafting of replica objects that appear as hollowed-out volumes wandering through space.

The environments created by Deslauriers reside in an in-between space where the intimate and the collective converge through the entanglement of hybrid structures often inspired by a lexicon of digital images. In this way, referents, materials and manufacturing processes act as a continuous cycle of deterioration, repair and transformation.

We will process the personal data you have supplied in accordance with our privacy policy available on request. You can unsubscribe or change your preferences at any time by clicking the link in our emails. I was also lucky enough to grow up with my grandmother and she taught me to sew at a very young age. I had a lot of imagination and made worlds for myself.

I often compare the space I have to put myself in to sew for hours to a kind of training session — it is often physically taxing, but I stay focused on the end goal. DB: what draws you to textile materials as an artistic medium, and what are their personal meaning to you? JD : in college, I was very interested in fashion and set design.

Jannick deslauriers carmax

I was fascinated by haute-couture and I was a fan of vivienne westwood and alexander mcqueen. I suspended it in the student gallery and the lighting projected beautiful shadows onto the walls. DB: where do you work on your projects, and what are the creative strategies you adopt when working? JD: I have lived in my studio for years now — it is my favorite place to be.

I have a very specific ritual; I like to work early in the morning or in the evening. I also spend a lot of time searching for images, reading and watching TV shows or films. I think my time in the studio is equally split between searching and making. JD: the transparency of the fabric allows me to create objects that seem ghostly to us.

DB: in a world that is increasingly virtual, your work is firmly rooted in tactile and physical experience. JD: actually, the virtual interests me a lot because all my sculptures start with a long research on internet. I also looked at images of intact cars, mechanical parts and so on. Subscribe now to keep reading and get access to the full archive.

Continue reading. Above: Piano,crinoline, rigid mesh, organza and thread From the Battlefield series: Poppies. Her website is here. Like this: Like Loading Discover more from Canadian Art Junkie Subscribe to get the latest posts sent to your email. Type your email… Subscribe. You might also like. Amazing art! How amazing! Yes, she is a phenomenal creator, I agree.

So ephemeral.