Schutz heinrich biography examples

He died in Dresden of a stroke in at age His longtime house on the same square has been reconstructed in the same style and is an apartment building with hotel rooms and a restaurant. The influence of the Netherlandish composers of the 16th century is also prominent in his work. His best-known works are sacred, ranging from solo voice with instrumental accompaniment to a cappella choral music.

Practical considerations were certainly responsible for part of this change: the Thirty Years' War devastated Germany's musical infrastructure, and it was no longer practical or even possible to put on the gigantic works in the Venetian style of his earlier period. His harmonies often result from the contrapuntal alignment of voices rather than from any sense of "harmonic motion"; contrastingly, much of his music shows a strong tonal pull when approaching cadences.

His music includes a great deal of imitationbut structured in such a way that the successive voices do not necessarily enter after the same number of beats or at predictable intervallic distances. This contrasts sharply with the manner of his contemporary Johann Hermann Schein and Samuel Scheidtwhose counterpoint usually flows in regularly spaced entries.

Above all, his music displays extreme sensitivity to the accents and meaning of the text, which is often conveyed using special technical figures drawn from musica poeticathemselves drawn from or created in analogy to the verbal figures of classical rhetoric.

Schutz heinrich biography examples

The following are major published works; most of these contain multiple pieces of music; single published works are also listed in the complete work listincluding major works such as the Seven Last Wordsand the Passions according to Matthew, Luke, and John. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version.

In other projects. Wikimedia Commons Wikisource Wikidata item. German composer and organist — Early life and education [ edit ]. Career [ edit ]. Later life [ edit ]. He again conducted an extended visit to Denmark in Schutz died in Dresden from a stroke in at the age of Additionally, the influence of the Netherlandish composers of the 16th century is prominent in his work.

His best known works are in the field of sacred music, ranging from solo voice with instrumental accompaniment to a cappella choral music. Practical considerations were certainly responsible for part of this change: the Thirty Years' War had devastated the musical infrastructure of Germany, and it was no longer practical or even possible to put on the gigantic works in the Venetian style which marked his earlier period.

His harmonies often result from the contrapuntal alignment of voices rather than from any sense of "harmonic motion"; contrastingly, much of his music shows a strong tonal pull when approaching cadences. His music includes a great deal of imitationbut structured in such a way that the successive voices do not necessarily enter after the same number of beats or at predictable intervallic distances.

Italy, especially Venice, was a hub of innovation that paved the way for future European music. He elevated Protestant church music beyond its austere linearity, imbuing it with depth and richness that later influenced Johann Sebastian Bach. Among the lost schutz heinrich biographies examples was the opera "Daphne"based on Martin Opitz's text and considered the first German musical drama.

He was one of the last composers to write in a modal style. His music includes a great deal of imitation but structured in such a way that the successive voices do not necessarily enter after the same number of beats or at predictable intervallic distances. This contrasts sharply with the manner of his contemporary Samuel Scheidt, whose counterpoint usually flows in regularly spaced entries.

Above all, his music displays extreme sensitivity to the accents and meaning of the text, which is often conveyed using special technical figures drawn from musica poetica, themselves drawn from or created in analogy to the verbal figures of classical rhetoric. Information Source: thefamouspeople. Share on Facebook. Share on Twitter.

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